horror express remake

CineSavant was able to compare the two releases. Horror Express is a great movie. Any movie that takes place on a train has at least that going for it, but whereas in better productions, audiences would have gotten to know the various different characters on board, we have no such luck with Horror Express. / Street Date February 12, 2019 / Available from Arrow Video Horror Express, the nineteenth of twenty-four films in which they both appeared, is indeed one such bad film. Other passengers of note are a Rasputin-like mad monk named Pujardov (Alberto de Mendoza), a Russian countess (Silvia Tortosa), a police inspector (Julio Peña) and an industrial spy, Natasha (Helga Liné). Arrow Video’s Blu-ray of Horror Express follows up on a 2011 BD from Severin Films that came with an impressive selection of extras. Señor Martín’s English is okay, but we can’t help but think that could have said much more if he’d spoken in his native Spanish. Hop aboard the Horror Express where you'll be sharing a ride with ghoulish zombies in search of flesh, a bloodthirsty vampire and his undead brides, plus all the bones of poor souls forever cursed to ride this train through eternity. Ted Newsom recalls his association with Bernard Gordon and begins with a primer on blacklisting. Blu-ray Also from 2011, an introduction by Chris Alexander positions the film for readers of Fangoria magazine. Horror Express is a horror film starring Peter Cushing and Christopher Lee now on Blu-ray from the awesome folks at Arrow Video. The audio for both discs is very good, with John Cacavas’ catchy music themes coming across well. Back in the 1950s he labored for relative nickels and dimes grinding out scripts for Sam Katzman quickies like Zombies of Mora Tau and Hellcats of the Navy. I wouldn’t say that the transfer is so much better that an upgrade is essential, but I noticed the improvement right away. Lee and Cushing do the best they can as their characters discover through the scientific method and gross surgical autopsies of the victims that the creature came from outer space in dialogue that is two decades too old, although I couldn't tell if they were taking it seriously or not. It was cheap. Movie: Very Good CineSavant was able to compare the two releases. But there very much is something monstrous he's brought on board. Some daytime shots look good enough to be full-sized, but I think they’re very large miniatures — only the smokestack smoke betrays a hint of scale. Directed by Eugenio Martín. Cushing and Lee (handsome, smug, and banterous) and many of the others provide mostly sufficient performances, regardless of whether or not they are phoning it in. © Copyright 2020 Public Domain Film Reviews, It's always a treat to see Christopher Lee and Peter Cushing together on screen, as they are in the 1972, Loosely based on John W. Campbell's 1938 novella. A mustached Lee plays an aristocratic anthropologist named Sir Alexander Saxton, who, while exploring in the mountains and caves of Szechuan, China in 1906, discovers a prehistoric humanoid creature encased in ice. Reviewed: February 8, 2019 Director: Luca Guadagnino Starring: Dakota Johnson, Tilda Swinton, Mia Goth, Chloe Grace Moretz, Alek Wek, Angela Winkler Run Time: 152 mins Remakes are always tricky propositions especially within the horror genre where films have such dedicated fanbases. Saxton remains secretive even as things predictably start to go wrong, like when passengers start being violently killed. The Thing: Horror Express All aboard the Horror Express! Passengers turn up dead, with their eyes burned white and bleeding. Now Universal has confirmed their work on a remake - but with a twist on the film's perspective Confused yet? We’re told that Chris Lee persuaded Cushing to take the job to raise his spirits after the recent loss of his beloved wife. Although it hasn’t the best reputation, it’s one I’ve never seen, and its original poster is a beauty. Staring into the eyes of its victims until blood starts dripping out, the thing makes their eyes eventually become completely white. Wells is curious as to what Saxton is transporting back to Europe, but Saxton won't reveal anything. Director Eugenio Martín is also in for an informative piece. Even though it has a premium version for faster and unlimited download speeds, the free version does pretty well too. I looked up "Keep Watching the Skies" here @ Web Archive and can find no mention of the film in it at all even at the pages listed. CineSavant was able to compare the two releases. The older disc looks and sounds very good, but the new transfer is visibly better: a little sharper, and with perceptibly higher color definition. Actually, the crazy script’s fantastic details are rather consistent. Horror Express 1972 Director: Eugenio Martín Stars: Christopher Lee, Peter Cushing, Alberto de Mendoza, Telly Savalas Reviewed by Brian M. Sammons. I, for one, am deeply disturbed by anything involving eyes, so I often found myself looking away. Alas, I wanted to see so much more of them in some kind of dark mystery on a train, whether or not there was some evil inter-planetary demon man-ape. More than a few American actors and writers ended up in European production, sometimes to avoid the blacklist but more often because they found themselves to be more marketable in Rome or Madrid. While travelling on the Trans-Siberian Express, an anthropologist and his rival must contain the threat posed by the former's cargo: a prehistoric ape which is the host for a lifeform that is absorbing the minds of the passengers and crew. Directed by Eugenio Martín. Fully aware of what its limited budget hindered them with, the film only shows us the monster's arm and face occasionally. The production team tried the best they can, I suppose. A hybrid Eurohorror, Pánico was produced by an ex-pat American and directed by an ambitious Spaniard. Unless my ears are being fooled, Christopher Lee voices himself in word-perfect, mellifluous Castillian Spanish. The original HOW TO MAKE A MONSTER was a 1958 AIP effort that blended teenage films with the basic premise of MYSTERY IN THE WAX MUSEUM. Although there isn’t as much comedy relief as some reviewers seem to think, Saxton and Wells remind us superficially of Naughton Wayne and Basil Radford, the droll duo from Hitchcock’s The Lady Vanishes that worry about cricket matches back in England even as their lives are threatened. Gordon hired a fellow blacklistee, Julian Halevy, to help pen the script. Just a monster, and an uninteresting one at that. Arrow Video Most of the costumes are acceptable, although some of the Russians look altogether too Spanish. For the rest of the 1950s, all of his screen work was hidden behind the name ‘Raymond T. Marcus.’, (Note: Why is the primary IMBD entry for Bernard Gordon’s The Day of the Triffids suddenly listed under the unheard-of title “Invasion of the Triffids?”  Is someone reissuing it under a new name?). Directed by Eugenio Martín. His first-person remarks about the blacklist experience are a valuable key resource. I let the addition of Horror Express sit while I researched it and can not find any evidence to back it up. I let the addition of Horror Express sit while I researched it and can not find any evidence to back it up. A Cossack Captain named Kazan (Telly Savalas) comes aboard to put paid to the creature, only to see his troops transformed into a platoon of the Living Dead. This trickiness counts for double when you are remaking a movie like Suspiria which is considered an […] Actor Mel Welles built a minor career as a director. Horror Express Studios, Building Horror movie replica props, signs and custom orders. Written by Arnaud d’Usseau, Julian Zimet But finally, armed with ridiculous dialogue, Saxton and Wells conclude that actually, this thing is an alien from another world, though what it wants (other than to kill) is not known. Horror Express Just be happy we’re getting a remake of HotOE at all instead of having to pay exorbitant third party seller prices for a nearly twenty-five year old copy. Despite its low budget of $300,000, there were plenty of chances for something more worthwhile due to the fundamentals of the script, but it unfortunately resulted in missed opportunities. Produced by Bernard Gordon The "Godfather of Gore" Lucio Fluci is known for a number of powerfully gross horror films, but along with the classic Zombi 2, this is one of the most famous. Blacklistees faced cruel treatment in a frightened Hollywood, but once in Europe, some of them looked out for each other. Whether by accident or design, Bernard Gordon had a background in fantastic films. As the creature absorbs human brains, its reserve of knowledge and special talents grows exponentially, just like Corman & Griffith’s atomic crab monsters. While preparing to board, he meets an old acquaintance named Dr. Wells, played by C. ushing. Low-angle shots with a real sky in the background look the best, while others taken from a bird’s-eye view make the large train model look like a toy. Saxton and Wells make use of an oil lamp to neutralize their inhuman opponent. Actually, ‘Pánico en el transiberiano’ is a fine show for Peter Cushing and Christopher Lee, a Spanish-made chiller with a smart script and some effective shocks. Cinematography: Alejandro Ulloa Lee and Cushing do the best they can as their characters discover through the scientific method and gross surgical autopsies of the victims that the creature came from outer space in dialogue that is two decades too old, although I couldn't tell if they were taking it seriously or not. When actor/writer Mickey Knox tried producing, he discovered a new world of shaky financing and unenforceable showbiz contracts. One very spooky detail is that the monster’s deadly eyes are only effective in the dark. But one thing I am certain of: in Horror Express, the less we see the monster, the better it works. Excited about the prospect of contributing to the science of early humans, Saxton discreetly has the long-deceased being transported aboard a train heading back to Europe. The Campaign Book ends with a set of essays to help establish mood for Horror on the Orient Express. Excited about the prospect of contributing to the science of early humans, Saxton discreetly has the long-deceased being transported aboard a train heading back to Europe. Horror Express is a lively and agreeable horror/sci-fi hybrid that also an interesting period picture. HOW TO MAKE A MONSTER does not do anything to improve horror's shoddy relationship with our desktop buddies. If you don’t have a copy of this film yet, get this version of it at once. All trailers appearing on TrailersFromHell.com are the property of their respective owners.

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